Jeremy > February 24, 2009; Day 298.

The Ice Sword of Damocles.

A friend of mine recently showed me a set of photos he had taken of icicles.  I immediately recognized the challenges he faced.  He could only photograph them from the outside, which meant front or side-lit specimens taking on the colors of the nearby and unflattering background.  The building was the part you noticed first in the images; sometimes the icicles were hard to find.

This morning, I saw this icicle from my east-facing kitchen window and guessed that the rising sunlight would strike it and not be eclipsed by this neighbor’s house.  A week ago, this might not have been true (the sun's position is shifting north each day).  I chose the house as a background because I knew that it would not be lit by the sun and thus would be darker.

I set up the camera, selected my 70-210mm lens, and waited.  Luckily, the eastern horizon was cloudless, giving me an unobstructed orange sun.  The backlit icicle scatters the orange sunlight very nicely.  Unfortunately, the background is not great; the sky is bright and the house has a lot of snow-filled brush and trees in front of it.  For some reason, I wanted the chimney in the frame to identify the background as a house.

I did take this alternate shot, zoomed in to fill the frame with the background, but the icicle has less texture and I got some green fringing in the shot.

Raw: Color Temperature: 5300K; Tint: 0
Raw: Exposure: +0.3
Raw: Recovery: +100
Raw: Saturation: +8
PS: Healing Brush to remove some lens dust rendered as spectral highlights by the sun
PS: Lab a channel adjustment: “Soft light” at 50% opacity
PS: Curves: Medium Contrast preset
PS: Smart Sharpening: 180-1-Lens Blur
Jeremy > February 18, 2009; Day 292.

Oil-Rich Society.

New Hampshire is being blanketed beneath a winter storm warning tonight and tomorrow.  But this morning, the sun rose over a clear, 11-degree sky.  I watched the sun rise from my kitchen and noticed this distant back-lit column of steam rising in front of the golden sun.  I knew that getting the shot might make me late for work but I ran for my 300mm lens, tripod, and 1.7x teleconverter anyway.  Too bad in my rush I forgot to run for the D80, which would have gotten me even closer.  Alas this crop will do.

I thought I might want an HDR of this and took the bracketed exposures for it.  However, the bramble of branches and house in the foreground are not improved with more light...much better to leave these black.  While the exposures were firing I was shocked to see how much shake was created by "mirror slap."  And since the shake occurs only after the first exposure is taken, VR probably wouldn't help.

Raw: Crop: 4.5MP
Raw: Color Temperature: 4750K; Tint: -2
Raw: Recovery: +4
Raw: Saturation: +8
PS: Lab a channel adjustment: “Soft light” at 50% opacity
PS: Smart Sharpening: 180-1-Lens Blur
Jeremy > May 5, 2008; Day 3. My kitchen looks east over the Merrimack River valley, which gives me great access to each day’s sunrise. This is particularly true when the leaves are down. Early morning fog and the still-small spring leaves prompted me to try a hand-held HDR shot of the sun burning through the fog.

This wasn’t as good as I had hoped. First, I should have noticed the dead branch. Second, I should have been more careful with the compositional preciseness between each exposure…Photomatix had trouble with the alignment. Despite the flaws, this is very close to capturing the beauty of the scene I saw. It’ll do!
February 24, 2009; Day 298.

The Ice Sword of Damocles.

A friend of mine recently showed me a set of photos he had taken of icicles. I immediately recognized the challenges he faced. He could only photograph them from the outside, which meant front or side-lit specimens taking on the colors of the nearby and unflattering background. The building was the part you noticed first in the images; sometimes the icicles were hard to find.

This morning, I saw this icicle from my east-facing kitchen window and guessed that the rising sunlight would strike it and not be eclipsed by this neighbor’s house. A week ago, this might not have been true (the sun's position is shifting north each day). I chose the house as a background because I knew that it would not be lit by the sun and thus would be darker.

I set up the camera, selected my 70-210mm lens, and waited. Luckily, the eastern horizon was cloudless, giving me an unobstructed orange sun. The backlit icicle scatters the orange sunlight very nicely. Unfortunately, the background is not great; the sky is bright and the house has a lot of snow-filled brush and trees in front of it. For some reason, I wanted the chimney in the frame to identify the background as a house.

I did take this alternate shot, zoomed in to fill the frame with the background, but the icicle has less texture and I got some green fringing in the shot.

Raw: Color Temperature: 5300K; Tint: 0
Raw: Exposure: 0.3
Raw: Recovery: 100
Raw: Saturation: 8
PS: Healing Brush to remove some lens dust rendered as spectral highlights by the sun
PS: Lab a channel adjustment: “Soft light” at 50% opacity
PS: Curves: Medium Contrast preset
PS: Smart Sharpening: 180-1-Lens Blur
Jeremy > February 24, 2009; Day 298.

The Ice Sword of Damocles.

A friend of mine recently showed me a set of photos he had taken of icicles.  I immediately recognized the challenges he faced.  He could only photograph them from the outside, which meant front or side-lit specimens taking on the colors of the nearby and unflattering background.  The building was the part you noticed first in the images; sometimes the icicles were hard to find.

This morning, I saw this icicle from my east-facing kitchen window and guessed that the rising sunlight would strike it and not be eclipsed by this neighbor’s house.  A week ago, this might not have been true (the sun's position is shifting north each day).  I chose the house as a background because I knew that it would not be lit by the sun and thus would be darker.

I set up the camera, selected my 70-210mm lens, and waited.  Luckily, the eastern horizon was cloudless, giving me an unobstructed orange sun.  The backlit icicle scatters the orange sunlight very nicely.  Unfortunately, the background is not great; the sky is bright and the house has a lot of snow-filled brush and trees in front of it.  For some reason, I wanted the chimney in the frame to identify the background as a house.

I did take this alternate shot, zoomed in to fill the frame with the background, but the icicle has less texture and I got some green fringing in the shot.

Raw: Color Temperature: 5300K; Tint: 0
Raw: Exposure: +0.3
Raw: Recovery: +100
Raw: Saturation: +8
PS: Healing Brush to remove some lens dust rendered as spectral highlights by the sun
PS: Lab a channel adjustment: “Soft light” at 50% opacity
PS: Curves: Medium Contrast preset
PS: Smart Sharpening: 180-1-Lens Blur
February 24, 2009; Day 298.

The Ice Sword of Damocles.

A friend of mine recently showed me a set of photos he had taken of icicles. I immediately recognized the challenges he faced. He could only photograph them from the outside, which meant front or side-lit specimens taking on the colors of the nearby and unflattering background. The building was the part you noticed first in the images; sometimes the icicles were hard to find.

This morning, I saw this icicle from my east-facing kitchen window and guessed that the rising sunlight would strike it and not be eclipsed by this neighbor’s house. A week ago, this might not have been true (the sun's position is shifting north each day). I chose the house as a background because I knew that it would not be lit by the sun and thus would be darker.

I set up the camera, selected my 70-210mm lens, and waited. Luckily, the eastern horizon was cloudless, giving me an unobstructed orange sun. The backlit icicle scatters the orange sunlight very nicely. Unfortunately, the background is not great; the sky is bright and the house has a lot of snow-filled brush and trees in front of it. For some reason, I wanted the chimney in the frame to identify the background as a house.

I did take this alternate shot, zoomed in to fill the frame with the background, but the icicle has less texture and I got some green fringing in the shot.

Raw: Color Temperature: 5300K; Tint: 0
Raw: Exposure: 0.3
Raw: Recovery: 100
Raw: Saturation: 8
PS: Healing Brush to remove some lens dust rendered as spectral highlights by the sun
PS: Lab a channel adjustment: “Soft light” at 50% opacity
PS: Curves: Medium Contrast preset
PS: Smart Sharpening: 180-1-Lens Blur
See photo in gallery

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